Spankers and Spankees,
No Etrian Odyssey episode for you guys today, sorry. I’ve got most of it written, but I still need to write the fallout, and edit it, and all of that’s not happening tonight.
I would have had it written (though possibly not edited) by now, except rather than spending the morning working on it, I spent the morning tweaking the latest version of Potion Wars so that I could get it to my beta testers today. I’ll shoot for having the next Etrian Odyssey episode ready for next Sunday. Again, sorry about the delay, but I’m busier these days than I was for most of January.
Anyway, I’ve made big progress on Potion Wars in the past few weeks. All that’s left to be written for the first act of Episode 2 are a scene by Emily involving a subplot with Carrie, and a scene with Ildri that Jeffrey is writing. My plan for this week is to run my translate script through the content I have now, and make sure the translation works on non-trivial input. Since it certainly doesn’t (code never works the first time you run it on non-trivial input), I predict a week of very frustrating bug fixing ahead of me. But suck is life.
I’m hoping to get a new version of Potion Wars out complete with new content by the end of February unless my writers are too busy to write and don’t tell me (*cough* Jeffrey I haven’t heard anything from you *cough*) or we run into a lot of problems during beta testing. It’d be awesome if we could get something out sooner, but this is software. Software always takes longer than you plan. Always.
I’ve also made a lot of changes to the level up mechanics of the game to make them much less deterministic. I’ll post a big-ass blogpost describing the new mechanics in a few weeks (I want to give my beta testers a chance to run through the first episode a few times, so that we can tweak things as necessary). Hopefully between the new more deterministic level up mechanics, and the elimination of random encounters, the first episode will be much more balanced.
Oh did I mention? I’ve also eliminated random encounters and replaced them with static battles. Most of the static battles are invisible on the map, but they have a fixed number, type and gender of enemies, and once you win them, they don’t refresh. Note that you will still have the enemy-generating squares however, in case you find yourself in need of some grinding. I’m going to try to balance the game so that that isn’t necessary, but I am also trying to make the game challenging. So you might find yourself needing to grind if you’re not much of an RPG player, but you don’t want to lose all the boss fights. Plus, some of you may just enjoy being ridiculously overpowered.
One final thing: I’ve ditched the whole dinosaurs thing. I do still think that the Jurassic period makes a perfect setting for a fantasy game, but alas dinosaurs make things more fantastical, which clashes with the more grounded tone of the main story. There are enough tonal clashes as it is between the story and the spankings. I don’t need any more. Perhaps a future, more lighthearted game will be set in a Jurassic period with people.
Spankers and Spankees,
Those of you who have somehow managed to escape the seemingly eternal hell that is school may not realize this, but the Spring Semester has recently begun. Unfortunately, this means that I now have much less free time. So, I won’t be able to post the next Etrian Odyssey story tonight. In fact, I’m going to have to scale those stories back to once a month, rather than twice a month. I don’t want to, but this is literally at the bottom of my priority list, and I don’t want this to interfere with my work on Potion Wars. So I’m going to shoot for posting a new Etrian Odyssey episode on the last weekend of the month. Though I won’t be surprised if I have to miss a few updates as the semester heats up. That being said, I have no intention of stopping. I absolutely love writing these little stories. Great stress relief. And boy do I need it, because graduate school sucks. Don’t ever get into it. If your teacher/TA ever tells you “You know, I think you’d enjoy graduate school” you say “Hell no, I’m getting a real job. Slaving away endlessly to write a bunch of lame papers about super-obscure and borderline impossible to understand ideas while also taking classes and teaching for crap wages is not a good use of my twenties.”
Spankers and Spankees,
Since this is the third Sunday of January, as promised here are my thoughts on a more fleshed out spanking mechanic than the silly gimmick we currently have. Your thoughts would be greatly appreciated.
Most, but not all, enemies will be spankable. Typically, if you’re facing a non-humanoid enemy (i.e. a dinosaur of some kind or another), then you won’t be able to spank them, and they won’t be able to spank you. Furthermore, if I decide that the spanking your opponent
in mid-fight would ruin the atmosphere of fight, I may disable the spanking option. This will be very, very rare, however. I can only think of one fight against a humanoid opponent where I plan on disabling the Spank option, and that’s not going to be a conventional fight anyway. Furthermore, once I implement an Options menu, there will be an option to either disable in-combat spankings, or use a more simplified version of the mechanic. The first for those of you want a little bit less spanking in your spanking porn, and the second for those of you who don’t want to think too hard when you’ve got one hand down your pants (nothing wrong with that. I enjoy a bit of mindless masturbation as much as the next guy/gal).
Before we get started, please note that these are preliminary thoughts. I can guarantee that things will probably have to change once the ability is implemented and the beta testers and I start balancing it.
Anyway, on to the highlights:
0. Spankings will rely primarily on the grapple stat. Willpower will play a role in determining how long the “humiliated” status lingers after a spanking. Willpower also affects the chances of a spankee successfully casting a spell while being spanked.
1. A successful spanking lasts at least 1 turn, but may last more and administers the “humiliated” status. Originally, “humiliated” gave opponents a blanket -1 to all primary stats. However, I’ll be making two changes. First, “humiliated” will only affect your enemy’s
highest primary stat. Second, for every turn that the spanker spends spanking the spankee, the spankee receives another -1 to their highest (before the spanking started) primary stat. When the spanking ends, the spanker and spankee are still grappled (unless someone else successfully broke the grapple). Note that the humiliated status does not stack with itself. You won’t be able to repeatedly spank an opponent until their stats are all -100.
2. There will be three classes of positions: over the knee, the spanker is standing, the spankee is on the ground. The spanker is standing will be relatively easy to pull off, but relatively hard to maintain. Spankee on the ground positions are relatively hard to pull off, but relatively easy to maintain. OTK is balanced.
4. (Maybe) The player will be able to equip certain spanking implements. When spanking an opponent, the player can then choose to use either that implement or their hand. Implements will have a severity rating and a difficulty rating. The severity rating will give
a boost to how the duration of “humiliation,” while the difficulty of the implement effects how easy it is to successfully administer a spanking. Typically, implements will make it harder to administer a spanking (one of your hands is occupied with the
implement) but will make the effects last longer. They will not have a significant impact on the spanking text.
Now for the details. First, we’ll discuss what impact a spanking has on the flow of battle.
A spanking will tie up both the spanker and the spankee for some number of turns. For every turn that the spanker spends successfully spanking the spankee, the spankee receives an additional -1 to their highest (before the spanking started) primary stat. While the spanking is going on, it is easier for others to hit both the spanker and the spankee. However, if someone successfully physically attacks either the spanker or the spankee, or successfully breaks the grapple, then the spanking is broken. Some spells may also break the spanking, such as the Spectral Spanking family of spells. The spanker may end the spanking at any time. Note that ending the spanking does NOT take up one turn. The spanker’s commands will look something like this:
(Enter) Spank <SPANKEE NAME> (A)ttack (C)ast (T)hrow …etc
So if you want to continue spanking away, just hit (Enter). If you want to do something else, select that command. The spanker will end the spanking and administer that command. The spankee does still lose that turn.
The spankee meanwhile will have the commands:
(Enter) Struggle (C)ast (E)ndure
Struggle gives the spankee a chance of breaking free, depending on their grapple skill. Cast allows the spankee to try to cast a spell. However, there is a chance (depending on Willpower) that the casting will fail. Second, any spell that has a chance of breaking a normal grapple (Spectral Push/Shove, Spectral Spanking/Strapping/Caning) will always break a spanking when successfully cast. Furthermore, the spanker suffers a penalty to her willpower when targeted for a spell, because her attention is on spanking her opponent, not resisting enemy spells. If a character Endures, then they won’t try to break themselves free, but they suffer only half the penalty for that round, rounded down (so a -1.5 penalty is the same as a
-1 penalty). Instead, it’s up to her allies to break her free. Typically, a character with a high grapple (relative to her opponent) will want to struggle. A character with high willpower will want to try to either cast a grapple-breaking spell, or a spell that reduces the spanker’s grapple or willpower.
If a spankee evades a spanking, they will automatically attempt to reverse the spanking. If they successfully reverse the spanking, then the spankee becomes the spanker, and the spanker becomes the spankee.
Pulling someone into a spanking will always be the last thing that happens in the round. There are a few reasons for this.
1. Spankings will become much less useful if your high-grapple character pulls their opponent into a spanking at the beginning, then gets stabbed by someone else, breaking the spanking before it could truly begin.
2. Throwing a firebolt, or stabbing someone with a spear takes a lot less time than wrestling someone over your knee, so it makes sense that the spanking attempt would take longer.
The normal rules of initiative apply if two grapplers are trying to spank each other (note that I will probably be changing the normal rules of initiative as well. But that’s a separate matter).
The stats that affect a spanking are as follows:
1. Grapple affects your chance of successfully administering and evading a spanking, your chance of evading and successfully administering a reversal, and how long the spanking lasts.
2. Willpower affects how long the “humiliated” status lasts after the spanking. The higher the spanker’s Willpower is relative to the spankee, the longer the “humiliated” status will last.
The positions (over the knee, spanker standing, spankee on the ground) are not concrete positions, but rather categories. This is to give the writers freedom to use slightly different positions for different enemies when writing the flavor text. For example, for one enemy, the writer may choose to use over one knee for the OTK position, underarm for the standing, and backwards riding for the on the ground. For a different enemy, the writer may use Japanese style OTK for the OTK position (spanker is sitting on her heels, with spankee across her lap), standing (spanker has grabbed spankee around the arm and is swatting spankee’s bottom while both are standing straight) for the spanker standing, and diaper for spankee on the ground.
However, in both cases the gameplay effect are the same: standing positions are easy to start, but easy to break out of, spankee on the ground are hard to start, but hard to break out of, and OTK is neither easy nor hard to start, and neither easy nor hard to break out of.
And there you have it. This system is actually going to be quite a bit richer than I originally envisioned (the spankings-lasting-multiple-turns thing didn’t occur to me until I sat down to write this). Unfortunately, what that also means is that this will be trickier to implement, and balance than what I’d originally intended. The original plan had just been to give grapplers a way of inflicting a status-ailment in one turn, with the factors behind the potency and duration of the humiliation stat largely behind-the-scenes. However, I think this will make it a lot more fun, and a lot more sexy. So my plans on implementing and releasing this mechanic are as follows:
1. Release the pre-dungeon interactions of episode 2.
2. Release the dungeon, with the auto-map, new stat improvement mechanic, and no random encounters implemented. Make no changes to the spanking mechanic.
3. Implement the system I’d originally envisioned: a one-round spanking with some flavor text, with the positions influencing chances of success, reversal, and potency of humiliation. Have beta testers and
players focus on giving feedback on frequency of successes, failures, and reversals.
4. Add the multi-turn mechanic. This mechanic will also be added to the Spectral Spanking class of spells as well, with rolls depending on the grapple skill depending on the magic skill instead. However, the spells will only administer damage at the end of the spanking, when the spankee gets flung into the ground.
5. Release the post-dungeon act of Episode 2 (this will probably be relatively short, considering all the crap above).
I probably won’t let you use implements until Episode 3. Those may also undergo some changes as well to make them useful, largely because I’m not sure at this point whether duration of humiliation will be all that important. If you have a fight last 8 rounds, and four of them are spent spanking your opponent, the fact that Humiliation will last seven rounds as opposed to three really doesn’t matter. I’m not going to lie, this is going to take a while, and I’ve got a pretty busy semester coming up. We very well may not have the spanking mechanic implemented until next fall, and it may not be balanced well enough to neither be game breaking nor useless until next winter/spring.
However, I’m also really really excited about this. Not only will this be a fun (and frustrating) mechanic to implement and balance, but once it’s been implemented and the worst of the kinks (there’s a pun in there somewhere, I just know it) worked out, it will be a ton of fun to play. Furthermore, since I’ll be eliminating random encounters, I can make the battles last for more turns, so this kind of mechanic would be more viable. Of course, if I implement longer battles, I’ll probably have to include a way of saving during battle (or periodically auto-saving) at some point. That’ll be a butt. But I could probably put that off to an Episode 3 improvement.
Hell, now that I think about it, it might be kind of interesting to have a small number of marathon battles against generic enemies, rather than a large number of short battles. Especially since the lack of random encounters and instant travel from the beginning to the frontier of the maze means that there’s less incentive to preserve mana from battle to battle. However, if the battle is long, there would be some incentive to preserve magic turn to turn. Hmm…
Holy hell I had 815 downloads for the first version of Etrian Odyssey episode 1 (I can’t really use the numbers for this second version, because I don’t know how many of the new downloads are people re-downloading it, and how many are new). That’s…quite a bit more than I expected. Hope people weren’t too disappointed!
Anyway,on with the post. Episode 2 is uploaded. Get it over at the Etrian Odyssey tab. Next, I have a few logistical things to discuss.
Etrian Odyssey has inspired some careful thought about my own game, and I’d like to write about some of them, because writing about things helps me think. Currently, I don’t post anything on the third week of the month. So I’m thinking that on the third week of each month, I’ll muse about game design. These musings might be features I’d like to implement in Potion Wars, or systems that I’ll consider for a future game. Next week, I’ll discuss my fully fleshed spanking system, and my decision to eliminate random encounters from Potion Wars.
Next, Bonemouth the Boxfish has graciously offered to help write some short, enemy-specific spanking scenes for the combat spankings in episode 2. Note that I won’t necessarily be releasing a new version of the game just yet. In addition to reintroducing the spanking mechanic, I also want to eliminate the random encounters. I also want to replace the stat gaining mechanic with something more deterministic, rather than the sacrifice-your-dog-to-the-RNG-god mechanic we currently have (I’ll discuss this change in February).So you can expect all of these changes to appear with the pre-dungeon content for episode 2.
Now, back to Etrian Odyssey.
I’ve managed to beat the final boss (not counting postgame, which if it’s anything like the 5th Stratum, I have no interest in). Fortunately, I didn’t need as much grinding as I feared I did. Only one or two more levels, and I was able to beat the final boss. In fact, it wasn’t nearly as difficult as I expected. Hell, if the first time I faced the final boss, it wasn’t 10:00pm after a 12 hour gaming session( it was supposed to be about 4 hours, but the final stratum just refused to end), I probably would have beaten him on the first try. Or gotten close enough that I wouldn’t have thought I needed grinding.
The rest of this post is my musings about the game.
Overall, I enjoyed the game tremendously. It was definitely a dungeon crawl, and a very enjoyable one. Furthermore, looking back, the boss fights weren’t quite as merciless as my rather frustrated previous post made them out to be. With the exception of the first boss on the third Stratum, I really didn’t have that much trouble with any of the bosses. In fact, the first boss on the third Stratum and the final boss were the only bosses that I failed to beat on the first try (well, it took two tries for the first Stratum boss as well, but that’s because I did something stupid, not because the boss was super difficult).
The game actually was quite well balanced. The random encounters were challenging enough to keep things interesting (usually), but also very quick. Most battles lasted 1-3 turns. However, the enemies hit hard enough that I couldn’t just mash the attack button. I had to actually use people’s skills.
The floors themselves weren’t particularly intricate, but exploring them was generally pretty fun.
The game also had much more focus than most rpgs have. I didn’t feel like I was getting bogged down by inane sidequests that had nothing to do with anything. Don’t get me wrong, most of the sidequests were pretty inane (“gather 5 oxnards, 3 poisonberries, and 2 bull testicles”), but it was very easy to complete those quests I could without going out of my way, and ignore the rest. Second, and most importantly, the sidequests work with the narrative. You are adventurers who explore the Labryinth. Therefore, it makes perfect sense that people would hire you to do things in the Labryinth. This is much better than most RPGS, whose sidequests are just random bullshit that accomplish nothing but dragging out the game. It amazes me how RPG developers have somehow managed to convince people that filler is a good thing! Wait. Stop. I won’t rant about the inanity of sidequests. I won’t rant about the inanity of sidequests. I won’t rant about the inanity of sidequests.
Takes a breath. Waits a minute.
Ok. It’s passed. Anyway, EO is all about trying to explore the Labryinth, and it never loses its focus on the Labryinth.
However, Etrian Odyssey does have some issues. One of them, the tendency to encourage one-trick ponies, I addressed in my previous (admittedly rather ranty) blogpost. So I won’t address it again here.
The biggest problem is all the backtracking. You only had a teleporter every 5 levels. Furthermore, each level was quite large, and had a very high encounter rate. As a result, my experiences with the game went something like this:
First floor of a stratum: This is awesome!
Second floor of a stratum: This is awesome!
Third floor: OK, things are starting to get kind of tedious. Whoever decided to space the teleporters so far apart should be face-punched.
Fourth floor: Gah! I’m so $*&*) bored! If I have to slog through the first level of this wretched Stratum one more time…
Fifth floor: Finally! Now just to find that stupid boss…Why is this floor so freaking big? No, don’t run out of TP! Bad Alchemist. Now I have to go back to town, then slog through all the previous 4 floors, and half of this one all over again! Maybe I’ll go work on my thesis instead…Can’t be any more boring than this.
Next Stratum: Fuck yeah! Things are fun again…Wait, excuse me Miss Tavern Lady. Are you seriously telling me that I’ve only just now unlocked a bunch of quests that involve the Stratum I just beat, and enemies I’m sick of fighting and who no longer pose a threat? Fuck that noise. I’m heading for the new stratum. You can tell your clients to find some other chump to do their dirty work.
EO has this annoying habit of unlocking the quests for level X once you reach level X+1 i.e. after you’ve already finished exploring level X. Which means you have to wander aimlessly around level X, fighting monsters that you aren’t too worried about, hoping you’ll stumble upon the (unmarked!) square the triggers the quest. This is stupid. The quests for level X should be unlocked when I reach level X. That way, I can complete the quests as I explore, rather than having to backtrack.
And don’t even get me started on the 5th Stratum. It was massive, boring, and despite being full of loopdy-loops, had one lousy shortcut. One! It took me about twelve hours to reach the end of that Stratum, and most of it was spent backtracking because the designers couldn’t be bothered to throw in a few damned secret passageways!
I hate backtracking. It’s filler of the worst sort. My time is precious dammit, and I hate it when a game wastes it like that.
The early wizardry games got around this in two ways. One, the random encounter rate is actually obscenely low. Most of your fights are scripted. Meaning that every time you enter the dungeon, certain squares will always have a fight. Furthermore, these scripted fights were rarely if ever on the path from one stairwell to the next. You also had a much faster movement rate than in Etrian Odyssey. So assuming you had halfway-decent maps, you could get back to the frontier very very quickly, and with only one or two fights, if that. Second, a high-level mage could learn the Malor spell, which allowed him to teleport to any square in the dungeon. Once you learned that spell, it was easy peasy to jump between the frontier and the castle. And conveniently enough, you’d learn that spell right around the time when you were so far into the dungeon that slogging from the castle to the frontier was getting tedious. Sure, Etrian Odyssey has these secret passageways (most of the time…stupid 5th Stratum) to shorten the trip, but the trip was still too damn long, you still usually had to fight a bunch of fights every level (even if you used abilities that reduce the encounter rate), and the walking speed was so damn slow.
In Potion Wars, I’m doing something similar to Wizardry, except removing the random encounters completely. Also, you won’t have a teleport spell, because instantaneous travel has serious implications for the setting and story that I don’t want. While it could be interesting to have a medieval setting whose world is as tightly knit together as the modern world, it’s not what I’m going for.
However, since I’m eliminating random encounters, you’ll never encounter enemies while backtracking. Since backtracking doesn’t introduce any extra challenge, why make the player do it manually? So, I’ll add a “Go” command, where the the player can input the map coordinates of a square they’ve already visited (i.e. stepped on) and be instantly “teleported” there. Of course, there will still have to be an automap, so that the player knows which location they want to go to. So basically, Potion Wars will have the Malor spell, except it won’t cost any spell points, and you won’t be able to teleport into solid rock.
Anyway, back to issues with EO. I was also disappointed by my Hexer. I’m not sure if it’s because Etrian Odyssey didn’t do a good job with making status effect spells useful (they weren’t as useful as they tend to be in western RPGS, but were a hell of a lot more useful than they tend to be in JRPGS) or if it was because my Hexer joined so damn late, and I hate grinding so damn much, that she spent the entire game 10 levels behind everyone else. The more I think about it, the more I think it was the latter. I mean, she wasn’t completely useless or anything, despite being about a full Stratum behind everyone else. Hell, her binding rate was higher than my Dark Huntress. So we’ll have to see. I might have to have a Hexer again in Etrian Odyssey II, and see if she’s any better when she starts with the party from the beginning.
Spankers and Spankees,
The following post is just some musing about game design. No updates of either the Let’s Spank or Potion Wars. Just some Etrian Odyssey inspired musings about game design. So feel free to ignore this. It’s mostly here for my self 10 years in the future. Hi 10 years older self! Nice to see you’re still developing spanking games. You need a life.
So I’ve almost beaten Etrian Odyssey (just have the final boss left, who like every JRPG final boss ever, is 2 orders of magnitude harder than the rest of the game. I lasted all of 2 rounds the first time we fought, despite obliterating all the FOES and random enemies on the final stratum. So I’m stuck in a tortuously boring grind fest right now. Stupid JRPGS.). And I have been enjoying it, however there are a few things that really piss me off about the game. One of those is the skill system.
In Etrian Odyssey, every time your character gains a level you gain one skill point. You can then put this skill point to improve one thing. Maybe it’s something generic, like how much damage you do with a Whip, or maybe it’s something specific, like improving one of your character’s special abilities.
This kind of system is usually advertised as “Complete control over how your characters develop! Choose any one of dozens of paths to powerful characters!” and yeah sure that’s theoretically true. However in practice it’s bullshit. Why? For a couple of reasons:
0. All paths are not created equal. Admittedly, Etrian Odyssey may be the exception to this (I haven’t tried every path), but I find it highly unlikely. Every game has useless skills, or skills that should be awesome, but are inflicted with so many downsides that they’re not worth it. Unfortunately, you have no way of knowing which skills are which until you find yourself forty hours in and swearing viciously because your Protector maxed out Provoke only for you to discover that it never triggers fast enough, and your enemies almost always ignore it anyway (I didn’t max out Provoke so I don’t know if that’s true. However, one point of Provoke on floor 1 was pretty useless, so I figure it’s a reasonable hypothesis). Meanwhile, she’s still ten levels away from unlocking Smite, so after she’s invoked Defender, she can’t really do much against the boss.
1. It discourages versatility. Ten skills with 1 point in each are useless. One skill with ten points is godly. So the best way to succeed in this kind of situation is to have 5 one-trick ponies. One-trick ponies are boring to play, and they’re boring to develop. I hate it when games force me to do that.
2. It discourages experimentation. You have no way of knowing if a skill is worth using until you’ve already invested a significant number of precious skill points in that ability. As a case in point, consider my Hexer. A Hexer essentially has three paths: A binding path (binding enemies arms, legs and head to keep them from using special abilities), a crowd control path (sleep, paralyze, curse) and a control path (Evil Eye plus the curses that allow the Hexer to “control” any enemies that have been terrified by Evil Eye). Now of these, the Evil Eye path is very brittle. If your enemy is resistant to Evil Eye, you could find your Hexer contributing nothing to battle. Furthermore, considering the fact that the control curses are guaranteed to effect anyone who is inflicted with Evil Eye, I find it hard to believe that any of the bosses would be susceptible to it. Otherwise, boss fights would be a cakewalk, and game designers don’t like it when boss fights are cakewalks. Evil Eye and its control curses are too prohibitively expensive to use in regular fights, so they’d be the heavy artillery. Heavy artillery that probably doesn’t work, because that’s not how RPGS work in most cases (especially JRPGs). Similar, the crowd control spells while ostensibly useful in regular fights, would probably be pretty useless against bosses for the same reason as the control curses. 99.999% of RPGS make bosses absurdly resistant to paralyze/sleep/etc. However, while crowd control can make regular fights easier, they aren’t necessary. The bosses however are pretty challenging. I can’t afford to have a character whose borderline useless during boss fights. Therefore, I sent my Hexer down the binding path. I knew from experience that bindings are actually pretty useful against all enemies, including bosses, and they’re dirt cheap.
However, all that reasoning about Evil Eye and crowd control? Total speculation. For all I know the final boss’ greatest weakness is Evil Eye, and if I’d invested in Evil Eye I could invoke Evil Eye then tie a rubber band around the Gameboy’s A button and take my dog for a walk. Why? Because I didn’t dare risk investing in Evil Eye only to discover that it’s totally useless. Then I’d have to sacrifice 10 levels just to reorganize my skill points. Ten levels is a lot. After gaining five levels, enemies that were dangerous are a cakewalk. My characters gained a little over 10 levels per Stratum, so resetting my skill points would set my Hexer back almost a full Stratum. The fact that I was forced to add her very late in the game for stupid reasons of stupidity just adds salt to the wound.
All this means that if it’s the first time playing, you’re forced to give all your characters one trick (well, maybe two), all while praying fervently that the trick you choose is actually useful. In other words, most of the strategy in this game is wound up in character development, but you have no way of evaluating your strategy until it’s too late. This ties in to a wonderful blogpost by Spiderweb Software game developer Jeff Vogel. Some of his ideas I don’t agree with (guy puts way too much emphasis on boss fights), but this one I agree with completely: Don’t Ask Questions Until the Player can Answer
At the beginning of the game, Etrian Odyssey asks me the question: How would you like to specialize each character?
However, I’d never played this game before. I had no idea what would be involved, so all I could say was “I dunno. Let me explore alright?”
And now, Etrian Odyssey is going “Hahahah! Fuck you! Now you have to grind because you wasted so many of your skill points actually having fun instead of specializing everyone into one-skill-spammers muahahahah! Well except your Dark Huntress. You got her right at least. Muahahahah!”
Of course all this is exasperated by the heavy emphasis on boss fights, which are battering ram fights in Etrian Odyssey. Etrian Odyssey has six mandatory boss fights (1 per stratum except stratum 3, which had 2). For perspective, Wizardry’s 1 and 5 combined only have 6 boss fights, 4 of which are in Wizardry 5. Furthermore, the Wizardry boss fights really aren’t so much more challenging than the regular battles that you need to worry about optimizing for them. If you’re beating the enemies before the boss fight without much trouble, you shouldn’t have many problems with the bosses. Not so in EO. In EO the boss fights are so much harder than the regular battles that you have to cater your character development to whatever is most likely to be useful against the next one time big battle I’ll never have to fight again but I know nothing about right now, rather than which is going to be the most useful against the monsters I already know about, and that I’m going to be fighting over and over again.
Now, this led to much fuming on my part. I prefer most of my strategy to be wound up in the battles not in trying to prepare my characters for battles I haven’t fought and have no way of knowing anything about. When I have control over how my characters develop, I prefer to acquire/improve skills that will make it easier against enemies I am currently facing. That’s my favorite part about a good RPG. Encountering a new enemy, trying different skills and spells, getting some idea of what works and what doesn’t, then improving those abilities that work against those enemies. In other words, I like catering my characters to deal with the current situation. That’s what makes levelling up exciting: “Alright! Now I can finally learn ice ball and obliterate those fire demons that were giving us so much trouble! Suck ice Satan!”
Then I started thinking about how I would implement a skill system. Because a good game with a horrible development system is a double waste if I can’t learn something from it and become a better game developer myself. I came up with the following system:
On the surface, it’s the same as Etrian Odyssey’s. Each level up you gain some number of skill points, which you can apply to improve your skills. However, there are two key differences:
1. You are free to rearrange your skill points at any time with no penalty.
2. You can save skill point configurations.
So for example, you could have a “dungeon exploration” skill set that focuses on crowd control spells, light spells, secret-detecting spells and the like. Then you could have a “boss fight” skill set that focuses on all of your expensive, heavy hitting skills.
You could have a “balanced” skill set that evenly distributes your skill points across all your abilities (this would be used at the beginning of each floor, when you’re not sure what will work and what wouldn’t). You could have a “fire-focused” skillset that emphasizes the fire spells a given character can learn. Similarly with the other elements. Each time you level up, you’d be able to improve one skill in each set.
This I think would be fun, because it can open the door for all sorts of things. You could have an ice-focused level, or a fire-focused level. You could have a boss fight that is a standard tank and spank, and you could have a boss fight that is nigh impenetrable, but is susceptible to status effects, even instant death attacks! At the beginning of each boss fight, you’d be given the choice to select your desired skill configuration (or tweak one, or create a new one). Then if you die you get the option of starting that fight over again with a different skill set. So each boss fight is a search for the best strategy. Hell, there’s no reason why there would have to be only one best strategy for each fight. So the search would be for the best strategy that you like the most. Maybe a spell-focused tank-and-spank. Or a physical attack focus, or a focus on using spells that reduce stats, or improve your stats. Or skills that fiddle with the game engine (i.e. turn order, combo attacks, number of hits per round, etc.). Or a focus on skills that improve the impacts of your spankings 😛
Meanwhile, when you’re exploring each floor/dungeon, you’re focusing on experimenting with different spells and skills, trying to figure out which ones will work best for the obstacles (monsters and otherwise) on that level. So at first, each floor/dungeon is kicking your ass and it’s a struggle just to stay alive. But then as you get a better handle on your enemy’s weaknesses, you start to breeze through them, without having to grind ten levels.
Thoughts? Does that sound like a good idea? Or does it sound stupid?
Spankers and Spankees,
Happy New Year! Things are moving forward, I promise. I’ve completed all the paths for the opening sequence of the second episode (i.e. from the start of the episode until the player regains control) when the player lives at the adventurer’s guild. Currently, I’m working on the paths for when the player stays with Maria. Not sure if I’ve mentioned this, but I’ve also finished the first draft of the translation program, and it can successfully translate simple latex files. Which means it’ll break in horrifying ways once I run a proper episode through it, but whatever. I don’t have to worry about that yet.
Furthermore, once I have the first third of the episode written (i.e. up to entering the maze), then I’ll release it to the public. My original dream had been to release each episode only once it’s complete, however that was before I understood the full scale that each episode will end up being. Plus, the whole throwing out most of what I wrote during the fall thing has seriously slowed me down. Clearly however, I’m going to have to seriously pick up the pace and impose more discipline on my writing in the future. Otherwise, we’re going to be here for a few decades. I’d really like to release at least two episodes a year, but I won’t be surprised if episode 2 doesn’t get released in its entirety until the summer.
Now the bulk of the first third of the episode are the opening sequences. After that, there’s an encounter with Peter if you’re tutoring his daughter Annie, the start of a subplot with Carrie: “The Mystery of the Clothing Shop and Its Mass Production in a Medieval Setting”, and a brief conversation with Elise. So hopefully I’ll be able to actually release new content before the end of February, but don’t hold me to that. I’m notorious for underestimating how much time I need to get stuff done.
I’m also working on the second episode for Etrian Odyssey, and am on track to release that next Sunday. I’ll talk more about that next week, but suffice to say that I’ve made it to the 21st floor in the game itself, and have enjoyed (almost) every minute of it.
I have posted a new version of the first episode of the Etrian Odyssey Let’s Spank. It contains fixes for a few typos, and proper chapter titles. It also contains a small retcon. The story blurb at the beginning of the instruction manual gave me the false impression that the Labryinth appeared relatively recently. However, characters in the game itself speak like the Labryinth has been around for a while, so I’ve had to change the time at which the Labryinth has mostly recently appeared from 3 or 4 years ago to 30 or 40 years ago.
I’ve also reorganized the LaTeX a little to make it easier to release compilations (though this doesn’t affect the PDF). Basically, each time I complete a stratum, I’ll release one large PDF with every episode that takes place in that stratum. I’m planning on 1 episode per level, with a few exceptions. For example, the first level will have two episodes dedicated to it. So unless the game is lying to me, that’s a little over 25 episodes for the entire story. Which means that if I can keep my schedule, the story will be complete sometime next March or so.
The first episode of my Let’s Spank of Etrian Odyssey can be found here.
Or you can go to the new fangled Etrian Odyssey page in the tabs above. I post all the episodes there as well as in blog posts. They’re all PDF’s. Originally, tried converting them into html from latex, but it seems the HTML generated by htlatex isn’t quite compatible with the html read by blogspot (blogspot mangles my paragraphs), so you’re just getting PDF’s. Sorry.
Sorry about my lateness. Turns out that waiting until Sunday morning and then spending sixteen hours straight writing (with a few breaks for meals, grocery shopping, and dog walking) isn’t the best way to write a story.
Anyway, I’ve made a few changes to the characters:
1. Allison Kat Andrea is now Allison Kat Amelia, because I forgot my character sheet when first playing the game, and I gave her the wrong name. Unfortunately Etrian Odyssey doesn’t let me rename my characters >:(
2. Amelia is now 23 years old instead of 27. 27 was just a little bit too old.
3. It turns out that Hexer’s need to be unlocked, so I wasn’t able to create a Hexer. I considered going for a troubadour, like was suggested on AnimeOTK, at least until I could get a Hexer, but again there was that whole “I have no songwriting talent.” So instead, I created a Landsknecht named Naomi. My plans are for her to be a temporary character (I have a few ideas on how to gracefully retire her, and I have a few ideas on how to expand on the unlocking Hexer events, if it needs expanding (I have absolutely no idea of what’s involved). So we’ll see what happens.
Also, the episode is rather long, sorry. Turns out that it’s really hard to introduce five distinct characters, and have something approximating a plot, and a few spankings, and do so in a minimal amount of pages. Hopefully, future episodes will be shorter. But who knows, I tend to ramble.
Anyway, it’s mostly dialogue, so hopefully it’ll be a quick read.
Finally, I’m playing around a little bit with the density of spankings, trying to go for a more drawn out build up, rather than the turn around and get spanked approach I’m taking in Pandemonium Cycle. I may have gone a little bit overboard. But then again, maybe not. Some of my favorite spanking stories have been relatively long ones that built up to the spanking. So let me know what you think.
Finally, don’t expect another episode until end of December/beginning of January, because I’ll be spending all of next week visiting my family (holidays blow), and it’s hard to work on spanking porn when you’re visiting your family. Not sure yet if I’ll go for a first week/second week update in January before settling into my proposed schedule from my previous post, or whether I’ll wait until the second weekend of January to post the next episode. Depends on how much feedback I get from people 😉
Spankers and Spankees,
Hope all the Americans in the audience had a good Thanksgiving. Mine could have gone better. Could have gone worse too. On the bright side, I managed to get down to the 7th or 8th floor in Etrian Odyssey, and I’ve got enough material to keep us busy for a couple of months. I’m shooting to have the first gameplay-inspired-story written for next Sunday. The dream is to have an update schedule like the following:
First week of the month: Pandemonium Cycle updates
Second week of the month: Etrian Odyssey
Third week of the month: Nothing!!! You schmucks aren’t worth it!
Fourth week of the month: Etrian Odyssey
Anyway, on to Pandemonium Cycle updates.
Anyway, before we get started: I’ve added two new pages to my blog: Contributors and Helping. Contributors contains a list of people who are helping me in some official capacity in developing the game. Helping contains a few blanket requests for help, if people are so interested. I have more details on the one I consider most important further in this post.
First, the latest version has had 78 downloads, which is a few downloads shy of the record (version 1.10 with 82 downloads). That’s pretty cool that my code has infected been executed on about 70 machines or so when you account for the occasional repeat download. It’s hard to gauge, though since most versions have only been minor tweaks so I wouldn’t be surprised if some people skip versions. It’ll be interesting to see what the download count is when we (eventually) release 2.0 (i.e. episode 2).
I’ve uploaded a new version. It has hardly any changes at all. A few tweaks to a few of the conversations with Elise (I removed the ability to refuse the option of going to the bar, because I was too lazy to write a path for skipping the bar in the second episode, and then put it back in when an interesting subplot that only shows up if you skip the bar occurred to me). I also fixed a typo or two. Don’t feel like you have to download this version, unless the typo in the combat spanking is really getting to you.
Speaking of the combat spankings, I’m really not satisfied with it. It feels so…gimmicky. In fact, I originally had a combat spanking mechanic, but then removed it before releasing it, only to put a watered down version in when Emily started whining sagely suggested that some in-combat spanking would be nice. My original conception had been that each enemy would have three different spanking positions available, say OTK, underarm, and over-one-knee. Each position would have different bonuses and penalties across three numbers: humiliation, difficulty, and length (which affects how many smacks you get off). For example, OTK would be a balance of humiliation, difficulty and length. Underarm would last a while, but wouldn’t be particularly humiliating, and relatively difficult to pull off. Something like neck-between-the-legs would be very long, and very humiliating, but very difficult. The severity of the humiliation status, and how long it lasts would then depend on how humiliating the position is, and how long you held it. However, the higher the difficulty, the higher the chance of failure, or reversal.
I really want to put that back in, just to make the spankings less gimmicky. However, writing six different spanking scenes (two for each position: a successful spanking, and a reversal), plus some failure text was really really tedious. It was also rather difficult. It turns out writing spanking scenes without much context is rather difficult. So I removed it, and now I’m stuck with this gimmicky non-mechanic that contributes almost nothing to gameplay, and since the text is the same for every enemy, really isn’t that sexy.
So, I’m looking for anyone who would be willing to volunteer their time to write some generic, in-combat spankings. It wouldn’t require that much of your time. I’m thinking about having roughly ten spankable enemies for the second episode, including bosses. Either I or Emily or Jeffrey will probably write the boss scenes to minimize spoilers, so you’d only have to worry about generic enemies. Furthermore, I’d start sending you details about the enemies who need scenes right away, so we can spread the writing across the entirety of the episode, so it will never be too overwhelming.
If I can get a couple of volunteers then we can spread it out further, and the volunteers will still be pleasantly surprised by other people’s combat spankings.
Furthermore, this will give you a chance to get some inkling of the work involved in creating a game, in case you’re interested in writing your own. It will also give me a chance to gauge your writing skill and dependability. If I’m sufficiently impressed by both, I may in the future ask you to write a full spanking scene complete with interaction between characters. And the more people I have helping me write this thing, the faster I put out each episode, and the more content I can have in each episode. Finally, the more people involved, the lower the chances that this game will die. I’m still freakishly dedicated to crafting this game, but life happens. I might die in a car crash and vanish off the Internet, or suffer a family tragedy that keeps me from writing for a few months. Or meet a woman, get married, and have children, drastically reducing my free time. If others are involved, then maybe they can keep pushing the project forward with me serving an advisory/occasional coding role if life gets in the way.
If you’re interested, send me an e-mail at my gmail account sprpgs. As a little carrot, I already have the spanking scenes for the episode 1 enemies written, from back when I first conceived of the spanking system. If I get enough people interested, then in my next game update I’ll unleash the more in-depth combat spanking mechanic upon you. And then watch it wreck game balance. But such is life when writing an rpg.
If you have any thoughts of writing your own game, I would highly recommend helping me first. There are a few reasons for this. First, it will give you a chance to test how dedicated you are to writing a spanking game (or any large project, really). It turns out that a spanking game becomes a lot less sexy when you’re the one implementing it. Trust me on this. Second, if after writing a few scenes for me, you decide that you just don’t have time to develop a game, then you’ll still have contributed to a living game, rather than just leaving another abandoned project on the Internet to tease people for all time with what-might-have-been. Also, I’m a selfish bastard who doesn’t want to deal with the competition.
Important: You will NOT be expected to write your stuff in LaTeX, or write any Python code. You will only be expected to write some plain text, and I’ll put it in the program.
Anyway, on to updates about episode 2 progress. I’ve written over 100 pages of content, only for Emily and I to decide that it’s garbage. Well, the content itself isn’t garbage, but rather the organization. Basically, in my old system, I only planned out down to the scene level. So I have a rough idea of the main plot for each episode, subplots for each season, and character arcs for most of the main cast. I also have a pretty good idea of what I want to happen in each scene for episode 2. However, I used to stop there. I wouldn’t plan out the scenes themselves. Instead I’d sit down, and just let my muse floooow like the river.
Well, it turns out that my muse sucks at giving different paths a balanced treatment, and making sure I’m actually making progress. So after about six weeks of furious writing I ended up with 115 pages of content before you even get out of the guild/Maria’s home, and most of it was found in obscure paths that you’d only find if you:
a. tried everything imaginable. Even things you didn’t know would matter (i.e. wearing a thong and no pants when you go into the kitchen for the first time)
b. Asked me about alternative paths and I remembered the path when I responded.
c. Happened to pick just the write sequence of choices scattered across different unrelated conversations.
Now don’t get me wrong, I love having scenes showing up in obscure little corners you wouldn’t think to look in (or even knew existed). Nothing gets the sex juices flowing like getting surprised on your sixth playthrough (assuming you guys play that often. In which case, you’re not playing enough I’m flattered.). However a single easter-egg scene really shouldn’t take up 30+ pages. Unless I outsource it to someone else. In which case, sure, whatever.
In light of these problems, I’ve spent the last couple of weeks recharging and reflecting. Based on those reflections, I’ve decided to make a few changes to my writing process. From now on before I write up a scene, I’m going to work out an outline of how the scene should go, all the way down to the nodes of the conversation trees. Then, I’ll write up a brief outline of the scene, with one or two sentences describing how I think each node should go, and send it off to Emily. That way, if there are any glaring omissions, or I’m putting too much emphasis on one path, but not on another, we’ll be able to catch it before I’ve churned out a novella’s worth of material.
From there, it’s a “simple” manner of filling in each node, and making sure I don’t add more than one or two nodes to a particular path. Hopefully, that way I’ll be able to give each path a more balanced treatment, and make sure I don’t have one path with 20 nodes, one with 7, and one with 2.
I’ve written up an outline for the opening of episode 2 and sent it off to Emily for her perusal. Fortunately, I should be able to rework most of what I already have written into the new structure, and the rest I’ll push into a might-come-in-handy-later pile. So I should be able to get back to where I was before Thanksgiving relatively quickly.
However, for now I’m going to use my simple outline as sample input for my LaTeX-to-Python translator. I want to get that damned thing written and (mostly) working before I dive back into the writing.
I’m so sorry that things are taking this long. I promise that I’m working hard on it. It’s just that I’m still new at this, and haven’t worked out a good system. Plus, there is still a lot of coding involved, and coding takes time. Hopefully, once we hit episode 4 or 5 I’ll have hit my stride (and have finished the bulk of coding) and I’ll be able to bust out episodes at a more reasonable pace. Plus I might be able to recruit some additional help to get this thing moving that must faster.
This is the post I made on AnimeOTK a few minutes ago, repeated here for your viewing pleasure:
I’ll be starting to play Etrian Odyssey tomorrow, so here are the remaining three characters. Note that they are inspired by Zae’s suggestions, though I did take them and tweak them a bit. In particular, I’m replacing the mischievous bard with a mischievous hexer, mostly because I can’t write music, and I think the bard’s appeal would come out of there actually being concrete little ditties about this or that misadventure. While I could play it as the bard being hilariously bad at songwriting to justify any atrocious things I would write, the thought of trying to concoct songs, even bad ones, wearies me. On the other hand, having a playful hexer would be fun because it completely goes against their portraits, which are kind of creepy.
As for the alchemist, I decided to replace “grumpy and well-educated” with “spoiled rotten and well-educated,” mostly because Alchemy seems like the kind of profession a rich girl might take up, and we need some spoiled rotten in here somewhere.
Totally took the Protector idea unchanged, however.
If anyone has any suggestions or tweaks for the characters below (or if my party makeup is doomed to failure), let me know, and I’d be happy to make some changes.
Name: Gwendolyn Karter
Profession: Alchemist
Position: Switch
Age: 23
Bio: Gwendolyn is the insufferably spoiled brat child of some middling lord or other from a different town. As the only daughter in a family with three sons, her father doted on her like no other. Whatever she want, she got, and if
she didn’t get what she wanted, she threw a tantrum like no other. These days, she doesn’t throw quite so many tantrums. Instead, she just explains in exquisite detail why the person refusing her is an unsightly worm who shouldn’t
interfere with their betters if she thinks she can get away with it, and works some prank or other to ruin the other person’s day if she can’t. That being said, she is a gifted Alchemist, and the only time she is anything
approaching bearable is when she’s focused on Alchemy. And even then she’s just brusque and impatient rather than snotty.
Name: Samantha Star
Profession: Protector
Position: Mostly Bottom
Age: 28
Bio: Gwendolyn’s bodyguard. Samantha Star’s father is the bodyguard of Gwendolyn’s father, and it has been pounded into her from birth the importance of serving and protecting Gwendolyn. This includes taking responsibility for
any of Gwendolyn’s mischief that run the danger of being traced back to her. She is calm, quiet, and unassuming. Pretty much the exact opposite of Gwendolyn. She treats Gwendolyn with deference, and Gwendolyn eats it up, treating
Samantha as her own personal manservant. Gwendolyn also doesn’t seem all that appreciative of Samantha’s unfailing loyalty. She takes Samantha for granted and has no inkling of how helpless she’d be without the quiet Protector.
Name: Wendy “Hexy” Wellington
Profession: Bard
Position: Mostly Bottom
Age: 18
Bio: An obnoxiously cheerful, and cheeky brat. She’s a friend of Allison’s, and was babysat by Andrea. She vanished a few years ago when she started to develop uncontrolled hexing talent. She’s recently returned, completely
out of the blue. She takes a ton of delight in messing with people. One of her favorites is to act overly melodramatic and creepy, playing to Hexer stereotypes. Of course, she can’t maintain it for very. She hates it when people
get all melodramatic and serious, and will try to lighten the mood. Of course, her “lightening” usually consists of casting some harmless hex on one of her teammates (such as making them trip into the mud, or lose their pants, etc),
much to her teammates’ chagrin. She’s also a very fast talker, and will try to talk her way out of a punishment. In short, whereas Gwendolyn has a cruel streak to her pranks, Wendy has a more playful streak.
————-End AnimeOTK post——————–
Also, this is completely unrelated, but I’ve taken the past week off from Potion Wars (been writing like a fiend, and needed a break) and I’ve been playing Shadowrunner Returns.
It is amazing. Seriously, this game is the closest I’ve ever come to my ideal RPG:
1. Gameplay that is challenging enough to keep me engaged, but not so challenging that I have to restart half a dozen times.
2. Gameplay that is deep enough that it’s not just a click fest (in particular, the true depth in this game comes from finding cover and positioning your characters properly. Whoever has the superior position has a HUGE impact on battle).
3. Status spells that are actually useful. Damage spells that can do some damage.
4. An AMAZING setting. It’s this mind-blowing combination of cyberpunk, high fantasy, science fiction, and pulpy detective novels (my favorite character type is a fast, smart, pistol-toting hacker-type called a decker).
5. Superb writing. The dialogue is very well done. I love their slang. Unique, flows wonderfully, and the writers make an expert use of context to make the slang clear. Wish I could write slang like that. The stories (at least for the main campaign, and the expansion campaign) are also engrossing. Dead Man’s Switch isn’t anything particularly new, but it’s very well executed and the setting is unique enough that the core store doesn’t need to be. Haven’t finished Dragonfall yet, but that’s shaping up to be superior to Dead Man’s Switch in every way.
6. The quests are plots (including the subquests). It’s not just a bland “I need the Talisman of Muldour! Bring it to me!” It ‘s more like you have conversations with the characters, connect with them, and then they might ask for your help then, or later on. Plus, many of them build on themselves in a very natural and engrossing manner. Furthermore, just about every quest sheds some new light on the setting, so with each quest you feel like you understand a little bit more about the world these characters live in. Sure, they usually boil down to “kill that guy.” or “bring me that doohickey” but those are just the skeleton they use to shape the story.
6. Streamlined gameplay. I don’t waste time slogging through dozens of pointless subquests just to get strong enough to beat the main quest (hate subquest heavy games. 98% of those “hundreds of quests!” are filler). At any given time you have a main quest, and maybe one or two subquests, all of which are usually accomplished by taking one or two steps off the main quest’s path. I know some people like the whole “open world exploration” thing, but I don’t. Give me an engrossing plot, an interesting setting, and good gameplay over 100 areas and 200 inane sidequests any day. It’s not like you have any real choice in the open world games anyway, so why dilute the story pretending you do?
7. I create my own character. I want to play a female elven, pistol wielding decker? I can. I want to play a female human, pistol wielding decker? I can. There are other things I can be. Like male. Or a troll. Or a street samurai. But light footed deckers are way too much fun. Also I have some strange obsession with playing as a woman in all my games. Just so much more fun than playing a man. Don’t know why. Probably because I’m a man for the rest of my day, and I need a little variety.
8. Short animations. The graphics and music do an excellent job of capturing the setting, but the combat animations are fast and simple enough that they don’t slow things down. Furthermore, the game has high damage and low hitpoints, so combat is fast (plus it encourages you to use the terrain, your items, and your magic wisely).
The only major flaw is that the roleplaying is more in your head than in the game. Sure, your character periodically gets to respond to people, and they are very good responses. It feels like your character is actually talking to people instead of just blandly nodding and saying “uh-huh.” Plus, they do a great job of implementing the classic “I’m a kind person”, “Eh, whatevs”, “I are asshole!” triad. However, whichever response you pick, the other character will usually have a few sentences of difference, before returning to their main thread,completely unaffected by whatever you said. So your responses have a minimal impact on the flow of conversation. However, it’s a metric ton of work to have player responses have a real, noticeable impact on conversation. Plus, the flaw is pretty standard for the industry, regardless of the quality of the game, so it’s not a huge blow.
I’ve been enjoying this game so much that I’m thinking my next game will be in a similar cyberpunk-fantasy-science fiction mashup. Unfortunately, that’s years away, and I want to play with the setting now. But I don’t want to take time away from Potion Wars. SO, I’ve started concocting the premise for a series of short stories set in my own cyberpunk-science fiction-fantasy world. I’m currently working on the first story. The hope is that in between Potion Wars development (which remains my absolute top priority), and my Etrian Odyssey Let’s Spank, I’ll be able to write up a few stories here and there that let me build up this new setting. Hopefully, they’ll give me an opportunity to pull it away from its Shadowrunner roots, and give some nice background to my (very hypothetical and not at all guaranteed) future game.
That being said, Shadowrunner has a pretty crapsack world (it has to, because you basically play as a criminal, and it’s hard to make criminals sympathetic in light settings), so my world is also pretty crapsack (because you know, criminals), which means the plotlines will probably be a bit darker than the Etrian Odyssey Let’s Spank. Not sure where it will be in relation to Potion Wars, but probably a bit darker, because I don’t have Emily keeping me under control (still won’t go full Game of Thrones though. I want people to actually enjoy these things after all). Plus, while there will be sex and spankings, there won’t be as much emphasis on them as in Potion Wars. This is not a world where everyone is running around spanking everyone else. That being said, this is a spanking blog so I will strive to give every story at least one lovingly crafted spanking scene.
Edit: I’ve uploaded new versions of the game with the bugs mentioned on the previous post (plus a few others that I found!) fixed. Also, I’ve discovered that the permissions on the Ubuntu executable downloaded from Mediafire are wonky, and I haven’t figured out a good way of fixing them (I love Ubuntu, but sometimes it really pisses me off). Basically, you can’t make the file executable by right-clicking on it, because you can’t get administrative privileges from the properties dialog, like you can in Windows. So in order to make Ubuntu recognize my game as an executable program, you need to open a command-line in the same directory as the executable and write:
~> sudo chmod +x PotionWars
Ubuntu will ask for your password (note that passwords do not appear when typed on the command-line. However, the computer is reading your keystrokes. Just type in your password and hit enter). Once you’ve provided your password, the program will be made executable.
So I recently went out and purchased a Nintendo DS and the first two Etrian Odyssey games (relatively modern old-school dungeon crawls, my favorite kind of RPG). Looking through the character classes I discovered that there is basically a dominatrix class called Dark Hunters:
Dark Hunters were the mistresses of sword and lash
Their binding skills could sway the tide of any clash
Their blades carried affliction with every slash
The monsters they faced reduced to cinders and ash
Complete with a dominatrixy outfit.
This got me thinking that it’d be kind of fun to do a Spanko Let’s Play (well more of a sequence of short stories inspired by the events in the game), with a group of adventurers led by a Dark Huntress who believes firmly in corporal punishment for wayward party members.
The way I currently envision it, it would be an F/F adventure with an all female party (because that’s my favorite pairing), with the Dark Huntress as a mostly top, and the other party members switches/bottoms (the Dark Huntress wouldn’t take kindly to others administering discipline without her approval).
I’d shoot for a bi-monthly update cycle (though a lot of that depends on how much time I get to play the game, and how much material each play session gives me).
I also want to try my hand at a more zany, over-the-top style as opposed to the more angsty tone of Potion Wars.
However, my primary focus will still be on Potion Wars, and if I need to cut back on spanko projects, this will be the one to go.
I’m looking for party member suggestions (I can have five characters in a party, so I’m looking for an additional four, all characters must be 18+). Suggestions would be much appreciated. Here are the other eight classes pulled directly from the manual:
The Landsnknecht had a sword that could cut you in twain
[Her] powerful might was known as the monster’s bane
With sword or axe, [she] caused the foul demons much pain
From the front line [she] lost count of the monsters slain
Survivalists were [mistresses] of the woodland lore
You’d mark them by the hats and the scarves that they wore
Their specialty was the firing the arrows that soared
The Labryinth explorers sought them for their corps
Protectors bore a shield in their holy quest
Under its aegis did her companions rest
This noble knight was up to the hardest of tests
No enemy could tarnish that virtuous crest
The Medics healed their wounded comrades in need
The poison stings and the injuries that bleed
At great expense did they perform their kind deeds
Their frailty prevented them taking the lead
The learned ones with magic were the Alchemists
The elements they controlled by flicking their wrists
Their magic made up the weakness of their fists
Without one in the party their presence was missed
Now Troubadours, my own kind, brought cheer and gave mirth
Both menfolk and ladies were the salt of the earth
Our songs boosted the party and proved our own worth
In returning the Labyrinth’s beasts to the earth
From foreign lands the mysterious Ronin hail
Their skill with swords came also from that unknown vale
They’ll fight down to the last [woman] with tooth and with nail
And flay the beasts’ hide empty of stinger and scale
The rarely spotted Hexer controls with a word
The curses [she] let fly with are the last things heard
By [her] command, monsters to suicide are spurred
When recruiting, placement on the back line’s preferred
To start things off, here’s the team leader:
Name: Allison Kat Andrea
Profession: Dark Huntress
Position: Mostly top
Age: 27
Bio: A rathy bossy gal, whose parents couldn’t decide between “Allison,” “Kat,” and “Andrea” so they picked All of the Above. Goes by Andrea because Allison and Kat are names for simpering, perpetually distressed damsels who’re probably sissy medics to boot. Andrea is not a simpering, perpetually distressed damsel whose probably a sissy medic to boot, and any suggestions otherwise is a shortcut to a smarting bottom. She is laser focused on exploring the Labryinth, and doesn’t have the time or patience for silly things like “fun,” “friendship,” or “stress relief.” No one knows [I]why[/I] she’s so obsessed with the Labryinth, and asking her only leads to a brusque “That’s my business.” She thinks having mysterious motives makes her a deep, three-dimensional heroine. They do not.
Her mother had this to say: “Eh, she’s probably just looking for an excuse to get out of the house. Thank goodness, too. I love my little Aly, but she’s incapable of doing the simplest of chores without a bottom warming first. All she wants to do is play with her whips. Which is silly, by the way. Proper young ladies become medics.”
You can make your suggestion less or more detailed as you prefer. If I can get enough suggestions to form a full party, I’ll consider interest high enough to justify doing the Let’s Spank.
Note: This will not impact Potion Wars. I’ll be playing/writing for Etrian Odyssey during time that I wouldn’t normally spend on Potion Wars anyway.